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I am now stationed in Seattle, where it doesn't actually rain all the time. These recent days have been spent exploring the city and plotting long jogs around small parks as well as where we ought to meet some interesting people to befriend. Meanwhile, the job hunt continues.
The past couple of weeks have yielded significant amounts of spare time, most of which I spent reading and watching movies. However, it seems my progress will be a slowed due to a slight (though massively painful) problem with my vision. More specifically, a 2 mm "corneal abrasion" on my right eye. The diagnosis fails to thrill, as does the $15 dropper of acid (antibiotic, whatever) I have to apply every couple of hours. So if you pass my way and think I'm giving you stink eye, guess again.

In other news, German's going well. Work is great, as usual. There's a project in the works that really excites me and ought to absorb every minute of my spare time over the next four-plus months (think Hegel and Michel Gondry, Nietzsche and Miranda July). The fruits of my labor will most likely make their way up here, but I'm also going to aim a little higher. We'll see how it goes, because German is also going to be very demanding.

As previously mentioned, I'm celebrating the repair of my laptop's optical drive by checking out the entire video collection at the AADL. For the entire last third of Almodovar's "Volver" I was a weepy mess, plagued with the guilt of long taking my mother's sacrifices for granted. "Est/Ouest" had a similar effect, though tears were cried out of frustration equally as much as over the film's beauty. "The Wonder Boys" revived my long-forgotten love for Tobey Maguire and had me laughing out loud to myself in bed. I found "Downfall" less enjoyable than "Russian Ark", but I don't think people make movies about Hitler to spice up one's holidays. Truffaut's "Domicile Conjugal" reminded me why I hate men with long hair and roused my inner francophile, who has otherwise been lying obedient, submitting to all the repression I've inflicted over the past few months. What else... "All The Pretty Horses" made me queasy. "Juno" is not to be missed. "The Big Lebowski" will have me drinking white russians all year long. I'm also looking forward to buying "Paris, je t'aime" when it's released in February.

Today a customer came into the store for the sole purpose of giving me a book from her personal collection. I am still touched, hours later. Not more than five people in my life have ever given me a book (six if you count an impromptu demand for a present). One was my grandmother, three were friends, and now M.J. makes five. This makes me pleased as punch.
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In The Nimrod Flipout, Keret creates intelligent and imaginative stories around themes that hit a little too close to home… sort of. Many young men can identify with tales of dogs lost to patriarchal tyranny and friends to the dreariness of life in the military. But in this collection, reality is matched equally with the bizarre. A boy finds the meaning of life in a newspaper advertisement, a talking fish keeps its mouth shut, a civilization of moon inhabitants destroys a rocket ship built only with carefully-shaped thoughts. Half of each story is silly, the other half serious. That said, half of this book is silly, the other half serious. But the collection itself is nothing less than 100% genuine. Keret doesn't miss a beat, writing with the satiric aloofness that most young people use to deal with the disorder of the modern world. Like life, these stories are as happy and hopeful as they are horrific. It’s a good thing life isn’t as short, however, as the stories average out at only a couple of pages each. But the cunning, of whom Keret is absolutely included, need no more than three paragraphs of theatrical, often wicked narrative to reveal a vignette of true wisdom. Just read the first page.

Review of Etgar Keret's The Nimrod Flipout
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In this collection, Hempel puts her cards on the table and writes the love stories of a grown woman whose beloved is never present. With a simple, yet handsome style, she grieves the loss of companionship (platonic, romantic, animal), and discovers that what is left is more valuable than what there was to start. Despite their seemingly tenebrous tone, Hempel possesses a sincere, laugh-out-loud sense of humor. I finished each story inspired by her clarity and liberated by her hope.

Review of
The Collected Stories of Amy Hempel
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An unconsummated childhood love leaves our narrator, an attractive French littérateur pseudonymed Humbert Humbert, victim to the temptation of seductively playful nymphets. Lolita documents Humbert’s relationship with himself, rather than that with the 12-year-old Dolores Haze. Although H. is too overwhelmed by his eroticism to actually care for the object of his affection, his charm is so great that the reader finds himself sympathizing with H.’s deviant romantic needs. What starts as mildly masochistic fetishism (for postponed desire) culminates in a desperate act of violence. Though tragic in plot, humor abounds in Nabokov’s style, which is pregnant with the wit of literary punnery and double entendre.

Review of Nabokov's Lolita
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The Pit of Babel

    • Es muß ein Fortschritt geschehen...
      Wir graben den Schacht von Babel.

      Some progress must be made...
      We are digging the pit of Babel.
      (Franz Kafka)
    • I am Katie Sharrow-Reabe and I am interested in structural and social architecture. Linguistic and cultural translation. Progress through retrospection. Subliminal and subterranean connections. And I would like you to help me put these fragments into a hole.
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